4.11. 2016 / audiovisual performance with Vida Vojic (SWE), Spektrum, Berlin
installation / self-made visual machine, various liquids, light transmitting materials, ink, brushes / dimensions variable
These macro and microscopic visuals are a result of continuous investigation of pure materiality and what they could possibly tell us about how this universe was made. With the use of various common materials, these abstract organically structures collages emerge.
In daily life, one tends to disregard seemingly ordinary moments of passing natural elements, but when sculpted and captured in time, observation of these structures, might lead us into philosophies such as wabi-sabi which represents Japanese aesthetics and world view. Sometimes described as one of beauty that is ‘imperfect, impermanent and incomplete’. Understanding emptiness and imperfection was honoured as tantamount to the first step to satori, enlightenment. The idea is, that being surrounded by natural, changing, unique objects helps us connect to our real world. In one sense wabi-sabi is a training whereby one might find basic, natural objects interesting, fascinating and beautiful. Wabi-sabi can change our perception of the world to the extent that a chip or crack in a vase makes it more interesting and gives the object greater meditative value.
« To see a world in a grain of sand And a heaven in a wild flower,
Hold infinity in the palm of your hand, And eternity in an hour. »
– William Blake